Echoes

I died as a mineral and became a plant, I died as plant and rose to animal, I died as animal and I was Man. Why should I fear? When was I less by dying?

One is constantly reminded of the infinite lavishness and fertility of Nature — inexhaustible abundance amid what seems enormous waste. And yet when we look into any of her operations that lie within reach of our minds, we learn that no particle of her material is wasted or worn out. It is eternally flowing from use to use, beauty to yet higher beauty; and we soon cease to lament waste and death, and rather rejoice and exult in the imperishable, unspeakable wealth of the universe, and faithfully watch and wait the reappearance of everything that melts and fades and dies about us, feeling sure that its next appearance will be better and more beautiful than the last.

What we call the beginning is often the end. And to make an end is to make a beginning. The end is where we start from.

What once sprung from the earth sinks back into the earth.

The bud disappears when the blossom breaks through, and we might say that the former is refuted by the latter; in the same way when the fruit comes, the blossom may be explained to be a false form of the plant's existence, for the fruit appears as its true nature in place of the blossom. These stages are not merely differentiated; they supplant one another as being incompatible with one another. But the ceaseless activity of their own inherent nature makes them at the same time moments of an organic unity, in which they not only do not contradict one another, but one is as necessary as the other; and this equal necessity of all moments constitutes alone and thereby the life of the whole.

I would love to believe that when I die I will live again, that some thinking, feeling, remembering part of me will continue. But much as I want to believe that, and despite the ancient and worldwide cultural traditions that assert an afterlife, I know of nothing to suggest that it is more than wishful thinking. The world is so exquisite with so much love and moral depth, that there is no reason to deceive ourselves with pretty stories for which there's little good evidence. Far better it seems to me, in our vulnerability, is to look death in the eye and to be grateful every day for the brief but magnificent opportunity that life provides.

Knowing that certain nights whose sweetness lingers will keep returning to the earth and sea after we are gone, yes, this helps us to die.

Never say of anything, 'I have lost it'; but, 'I have returned it.' Is your child dead? It is returned. Is your wife dead? She is returned. Is your estate taken away? Well, and is not that likewise returned?

The same stream of life that runs through my veins night and day runs through the world and dances in rhythmic measures. It is the same life that shoots in joy through the dust of the earth in numberless blades of grass and breaks into tumultuous waves of leaves and flowers.

Life has always seemed to me like a plant that lives on its rhizome. Its true life is invisible, hidden in the rhizome. The part that appears above ground lasts only a single summer. What we see is the blossom, which passes. The rhizome remains.

To every thing there is a season, and a time to every purpose under the heaven: A time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted; A time to kill, and a time to heal; a time to break down, and a time to build up; A time to weep, and a time to laugh; a time to mourn, and a time to dance.

Meditation on inevitable death should be performed daily. Every day when one's body and mind are at peace, one should meditate upon being ripped apart by arrows, rifles, spears and swords, being carried away by surging waves, being thrown into the midst of a great fire, being struck by lightning, being shaken to death by a great earthquake, falling from thousand-foot cliffs, dying of disease or committing seppuku at the death of one's master. And every day without fail one should consider himself as dead.

As a well-spent day brings happy sleep, so a life well spent brings happy death.

It appears to me impossible that I should cease to exist, or that this active, restless spirit, equally alive to joy and sorrow, should only be organised dust — ready to fly abroad the moment the spring snaps, or the spark goes out which kept it together. Surely something resides in this heart that is not perishable, and life is more than a dream.

Happy is the man who hath the hour of his death always before his eyes, and daily prepareth himself to die.

It matters not how a man dies, but how he lives. The act of dying is not of importance, it lasts so short a time.

Not to live as if you had endless years ahead of you. Death overshadows you. While you're alive and able—be good.

We are such stuff As dreams are made on; and our little life Is rounded with a sleep.

Tomorrow, and tomorrow, and tomorrow,Creeps in this petty pace from day to day,To the last syllable of recorded time;And all our yesterdays have lighted foolsThe way to dusty death. Out, out, brief candle!Life's but a walking shadow, a poor playerThat struts and frets his hour upon the stage,And then is heard no more. It is a taleTold by an idiot, full of sound and fury,Signifying nothing.

The scenes of life are like the pictures in a magic lantern: we see them, one after another, with vivid distinctness; but as soon as one vanishes, it is utterly forgotten; and then the next appears, completely different from what went before — though at bottom it is always the same story.

Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of those rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters.

Spring work is going on with joyful enthusiasm, new life, new beauty, unfolding, unrolling in glorious exuberant extravagance — new birds in their nests, new winged ones in the air, and new leaves, new flowers, spreading, shining, rejoicing everywhere.

Life is short, and Art long; the crisis fleeting; experience perilous, and decision difficult.

Therefore, young people seem to me to die in such a way that they are overwhelmed by the force of flames when faced with a multitude of waters, while old people die in a manner akin to a fire that is extinguished without any force applied to it; and just as unripe fruit is hardly plucked from trees, but ripe and cooked fruit falls off, so the force takes life from the young, while maturity takes it from the old; which indeed seems to me so pleasant that, the closer I get to death, I feel as if I am about to see land and eventually arrive in port after a long voyage.

God sleeps in the minerals, awakens in plants, walks in animals, and thinks in man.