On no subject are our ideas more warped and pitiable than on death. Instead of the sympathy, the friendly union, of life and death so apparent in Nature, we are taught that death is an accident, a deplorable punishment for the oldest sin, the arch-enemy of life, etc. Town children, especially, are steeped in this death orthodoxy, for the natural beauties of death are seldom seen or taught in towns. Of death among our own species, to say nothing of the thousand styles and modes of murder, our best memories, even among happy deaths, yield groans and tears, mingled with morbid exultation; burial companies, black in cloth and countenance; and, last of all, a black box burial in an ill-omened place, haunted by imaginary glooms and ghosts of every degree. Thus death becomes fearful, and the most notable and incredible thing heard around a death-bed is, "I fear not to die." But let children walk with Nature, let them see the beautiful blendings and communions of death and life, their joyous inseparable unity, as taught in woods and meadows, plains and mountains and streams of our blessed star, and they will learn that death is stingless indeed, and as beautiful as life, and that the grave has no victory, for it never fights. All is divine harmony. Most of the few graves of Bonaventure are planted with flowers. There is generally a magnolia at the head, near the strictly erect marble, a rose-bush or two at the foot, and some violets and showy exotics along the sides or on the tops. All is enclosed by a black iron railing, composed of rigid bars that might have been spears or bludgeons from a battlefield in Pandemonium. It is interesting to observe how assiduously Nature seeks to remedy these labored art blunders. She corrodes the iron and marble, and gradually levels the hill which is always heaped up, as if a sufficiently heavy quantity of clods could not be laid on the dead. Arching grasses come one by one; seeds come flying on downy wings, silent as fate, to give life’s dearest beauty for the ashes of art; and strong evergreen arms laden with ferns and tillandsia drapery are spread over all—Life at work everywhere, obliterating all memory of the confusion of man.